Morton Gould - Windjammer - Philips - Folk
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Price | £4.50 |
Track ListingA1 OvertureA2 Windjammer (The Ship) A3 Life On The Ocean Waves A4 The Sea Is Green A5 Madeira A6 Music Of Porto Santo A7 Everybody Loves Saturday Night A8 Catalan Melody (Song Of The Birds) B1 Night Watch (Lullaby) B2 Kari Waits For Me B3 Marianne B4 Everybody Loves Saturday Night B5 Sugar Cane B6 Don\\\'t Hurry Worry Me B7 The Happy Wanderer B8 The Crew (Hornpipe) B9 Village Of New York B10 New York Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
| Artist | Morton Gould | ||
| Title | Windjammer | ||
| Label | Philips | ||
| Catalogue | BBL 7250 | ||
| Format | Vinyl Album | ||
| Released | |||
| Genre | Folk |
Other Titles by Morton Gould
• Windjammer •
Information on the Folk Genre
Folk music is a term for musical folklore. The term, which originated in the 19th century, has been defined in several ways: as music transmitted by word of mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. Since the middle of the 20th century, the term has also been used to describe a kind of popular music that is based on traditional music. Fusion genres include folk rock, electric folk, folk metal, and progressive folk music.The post World War 2 folk revival in America and in Britain brought a new meaning to the word. Folk was seen as a musical style, the ethical antithesis of commercial "popular" or "pop" music, while the Victorian appeal of the "Volk" was often regarded with suspicion. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959: in 1970 the term was dropped in favour of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". The term "folk", by the start of the 21st century, could cover "singer song-writers, such as Donovan and Bob Dylan, who emerged in the 1960s and much more" or perhaps even "a rejection of rigid boundaries, preferring a conception, simply of varying practice within one field, that of 'music'.
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