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Pig City - Digital Porker - Stress Records - Techno

Pig City - Digital Porker - Stress Records - Techno
Price £4.00

Track Listing

A Digital Porker
B1 Punky Punk
B2 Brighton Rock


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Pig City
Title Digital Porker
Label Stress Records
Catalogue 12 STR 8
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Pig City

Don't Give UpDon't Give UpThe Pig City EPThe Pig City EPDon't Give UpThe Pig City E.P.


Some Other Artists in the Techno Genre

808 StateEskimos & EgyptDJ DanThe ProdigyLuke SlaterSlamSven VäthJbsMobyDave ClarkeWestBamThe Chemical BrothersCarl CoxUnderworldSound ExcitersBob BrownBeat In TimeTony CrooksDave AngelStacey PullenDynamite Ken IshiRoel ButzenApollo 440Cristian VogelKerosene Blue PearlThe ShamenKen IshiiLostA Guy Called GeraldGroove CycloneNeomorphIrridiumSilo Chelsea GrinDonato CapozziBoom Boom SatellitesJosh WinkMike Dearborn

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Some Other Artists on the Stress Records Label

Hustlers ConventionFull IntentionPalefield MountainChris & JamesReefa!Chris&JamesVoices Of 6th AvenueRoute 66Joy For LifeCoyoteHustlers Convention & Ondrea DuverneyBrothers In Rhythm & CharvoniSoundsationChameleonGreed & Ricardo Da ForceDaphneMartini & Hardcorey & The Violante ProjectRustyBros Loves Dubs, Now Thats What I Call Ming Vol 1Chris & James & Sally RodgersBalouga BoysInsightGloatKathy Brown & BumpBrothers Love DubsInnerselfLast RhythmJohn Digweed & Nick Muir & Bedrock & KYOVirtualmismoZ100 & Lost Tribe Of The Lost Minds Of The Lost ValleyDJ 'D' RemixesJohn Digweed & Nick Muir & BedrockAlex NeriSuperstars Of RockBedrock & KYOViolante Project, TheAll Boxed InDesertXelciaHorse

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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