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Digitek - Don't Hold The Music Back / Sonic Boom - Red Records - Hard House

Digitek  - Don't Hold The Music Back / Sonic Boom - Red Records - Hard House
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Track Listing

a Don't Hold The Music Back
aa Sonic Boom


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Digitek
Title Don't Hold The Music Back / Sonic Boom
Label Red Records
Catalogue red006
Format Vinyl 12 Inch
Released 2000
Genre Hard House

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Other Titles by Digitek

Don't Hold The Music Back / Sonic Boom


Some Other Artists in the Hard House Genre

Unknown ArtistVinylgroover & The Red HedPublic Domain & Chuck DBrain BashersE-MotionMrs. Wood & Eve GallagherCamisraLisa Pin-UpChris CJon The DentistTall PaulChampion BurnsMrs. WoodDj LickAnthony AtcherleyHeadliners, TheJS16Junior CampPerfect Phase & Those 2WildchildN.R.G.ChopperTuff TwinsPublic DomainNigel GeeMC KinkyLectroluxWestBamBasstoneDBSKKinane666Perfect PhaseStormDa Techno BohemianJ-DubsRockikSharp BoysRhythmkillaz99th Floor Elevators & Tony De Vit

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Some Other Artists on the Red Records Label

Bam Bam & PebblesVinylgroover & The Red HedSynergy & Ben Kaye & Paul ScottSound CrowdKev WildVG 2000Space ChildDub Funktion AllstarsVinylgroover&The Red HedVinylgrooverMidasRotator Fish Go DeepCyborgs From Hell

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Information on the Hard House Genre

Proper hard house is typified by a set formula of up-tempo house music compressed kick drums, signature style off-beat basslines and the use of 'hoover' type sounds. In contempt of the name it shares some parts in style with house music, but borrows elements heavily from trance music (synths and sometimes breakdown formula), and hardcore/rave music (hoover sounds, chants). Generally, hard house is part of a wider group of styles called Hard Dance and has little in common with the modern trance or house scenes going for a stronger storm sound. Hard Dance also encompasses NRG or Hard NRG, which UK Hard House is often confused for. However, the two have some variance from each other, and are considered two separate genres by Hard Dance enthusiasts.

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