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Icicle Works, The - Seven Singles Deep - Beggars Banquet - Indie

Icicle Works, The - Seven Singles Deep - Beggars Banquet - Indie
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Track Listing

A1 Hollow Horse (Long Version) (4:57)
A2 Love Is A Wonderful Colour (Long Version) (6:43)
A3 Birds Fly (Whisper To A Scream) (Frantic Mix) (5:14)
B1 All The Daughters (Of Her Father's House) (Long Version) (5:04)
B2 When It All Comes Down (Unabridged Version) (6:27)
B3 Seven Horses (American Version) (4:42)
B4 Rapids (4:31)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Icicle Works, The
Title Seven Singles Deep
Label Beggars Banquet
Catalogue BEGA 71
Format Vinyl Album
Released 1985
Genre Indie

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Other Titles by Icicle Works, The

Hollow HorseHollow Horse


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Some Other Artists on the Beggars Banquet Label

Gary NumanFreeezIncantation The Icicle WorksLove And RocketsMorrissey MullenAdult NetJohnny GThe DollGoat Wah!The BolshoiGoat (5)Penthouse Pierce TurnerCult, TheThe CultTubeway ArmyJohn RoccaRoy Harper & Jimmy PageIan AstburyGene Loves JezebelProphets Of Da CityMorrissey-MullenLennoxThe CarpettesGary Numan & DramatisBauhaus

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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