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RYU - Rhythm Asobi - Exceptional - US Techno

RYU - Rhythm Asobi - Exceptional - US Techno
Price £10.00

Track Listing

A1 Rhythm Asobi (Original Mix)
A2 Rhythm Asobi (Oliver Ho's Mix)
Remix - Oliver Ho
B1 Rhythm Asobi (Precision Cuts Mix)
Remix - Precision Cuts

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist RYU
Title Rhythm Asobi
Label Exceptional
Catalogue EXEC 11
Format Vinyl 12 Inch
Released 2001
Genre US Techno

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Other Titles by RYU

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Inner CityModel 500Reese Project, TheParis Grey & Kevin SaundersonSysexOne On OneRhythmaticDuane & Co.Hard HatsThe Reese ProjectNeedle DamageJMD 2This Is WarAphroheadMacalusoDJ DanMark The 909 KingPlutoneDistorterBlow Monkeys, TheStatusSteve StollSubsonic 808Speedy JMike WadeMateo MurphyKeokiEnduranceMD ConnectionSatoshi TomiieDark LlamaDJ JesWinxOrange, TheRhythim is RhythimJahkey BGreen VelvetCarl CraigReidMarkey

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Some Other Artists on the Exceptional Label

Ken IshiAnanda Project, ThePlejJoe Buhdha Pres SupernaturalKen IshiiSusumu YokotaRogue ElementBlu Mar TenJoe Buhdha & Supernatural Super-A-LoofBluprintSuperpumasUnited Future OrganizationTakkyu IshinoJohn Beltran

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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