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Speedy J - The Intercontinental E.P. - Champion - US Techno

Speedy J - The Intercontinental E.P. - Champion - US Techno
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Track Listing

A1 The Wicked Saw
A2 Minimal
B1 Journey
B2 Spectrum


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Speedy J
Title The Intercontinental E.P.
Label Champion
Catalogue CHAMP 12-275
Format Vinyl 12 Inch
Released 1991
Genre US Techno

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Other Titles by Speedy J

Ieee Mitten MenuNi Go SnixNi Go Snix Remixes - inc µ-Ziq Mu-Ziq mixBugmodEvolution EPG SpotG SpotIeee Mitten Menu , Fart EssenIntercontinentalNi Go SnixPatterns (Remix)PepperPepperPullover (Original Demo Mix)Rise


Some Other Artists in the US Techno Genre

Inner CityParis Grey & Kevin SaundersonHard HatsModel 500Duane & Co.Reese Project, TheSysexOne On OneRhythmaticThe Reese ProjectNeedle DamageDJ DanMacalusoThis Is WarAphroheadJMD 2DistorterRYUMarkeySteve StollSubsonic 808ReidMike WadeCarl CraigStatusGreen VelvetTrendroidMark The 909 KingMateo MurphyBlow Monkeys, TheCharm FarmPlutoneDJ JesKeokiEnduranceMD ConnectionJahkey BRhythim is RhythimOrange, TheDark Llama

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Some Other Artists on the Champion Label

Kristine WRazeStaxxSybilSphinxRoyal HouseJ.T. And The Big FamilyDoug LazySandy BWhistleHome WreckersTony ScottRed Eye The Kartoon KrewRaze & Lady J & The Secretary Of EntertainmentTodd Terry Project, TheEliteEast TownRobin S.Dee Dee BraveGroove JunkiesLibra LibraRomeroB-FatsCorinaFarleyCarole SylvanLiquid OxygenSound Of The UndergroundRobin SRecall 22JT & The Big FamilyOliver CheathamPowerhouse Jack E MakossaJam JamKelly CharlesLiquid Oxygen/Ray LoveSuzie And The CubansLegend, The

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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