Frank Carson - It's A Cracker (30 Non-Stop Irish Party Sing-A-Longs) - Telstar - Folk
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Price | £4.00 |
Track ListingA1 Seven Drunken NightsA2 Old Boreen A3 All For Me Grog A4 You\'re A Cracker A5 Whiskey You\'re The Devil A6 Finnegan\'s Wake A7 Whiskey In The Jar A8 It\'s A Long Way To Tipperary A9 Little Arrows A10 Liverpool Lou A11 Seth Davey A12 Black Velvet Band A13 Red Rose Cafe A14 The Old Rustic Bridge A15 Do You Want Your Lobby Washed Down A16 A Mother\'s Love\'s A Blessing B1 Lovely Balbriggan B2 A Pub With No Beer B3 When Irish Eyes Are Smiling B4 Maggie B5 The Unicorn B6 Three Bells B7 Forty Shades Of Green B8 Rose Of Tralee B9 Molly Malone B10 How Can You Buy Kilarney B11 Bottle Of Wine B12 It\'s A Sin To Tell A Lie B13 Leaving Of Liverpool B14 There Ain\'t Nothing Like A Dame Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
Artist | Frank Carson | ||
Title | It's A Cracker (30 Non-Stop Irish Party Sing-A-Longs) | ||
Label | Telstar | ||
Catalogue | STAR 2451 | ||
Format | Vinyl Album | ||
Released | 1990 | ||
Genre | Folk |
Information on the Folk Genre
Folk music is a term for musical folklore. The term, which originated in the 19th century, has been defined in several ways: as music transmitted by word of mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. Since the middle of the 20th century, the term has also been used to describe a kind of popular music that is based on traditional music. Fusion genres include folk rock, electric folk, folk metal, and progressive folk music.The post World War 2 folk revival in America and in Britain brought a new meaning to the word. Folk was seen as a musical style, the ethical antithesis of commercial "popular" or "pop" music, while the Victorian appeal of the "Volk" was often regarded with suspicion. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959: in 1970 the term was dropped in favour of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". The term "folk", by the start of the 21st century, could cover "singer song-writers, such as Donovan and Bob Dylan, who emerged in the 1960s and much more" or perhaps even "a rejection of rigid boundaries, preferring a conception, simply of varying practice within one field, that of 'music'.
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