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Gary Clail & On-U Sound System - Human Nature - Perfecto - Dub

Gary Clail & On-U Sound System - Human Nature - Perfecto - Dub
Price £4.00

Track Listing

A Human Nature (On The Mix)
B Rumours


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Gary Clail & On-U Sound System
Title Human Nature
Label Perfecto
Catalogue PT 44402
Format Vinyl 12 Inch
Released 1991
Genre Dub

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Other Titles by Gary Clail & On-U Sound System

EscapeWho Pays The Piper?EscapeHuman NatureHuman NatureHuman NatureHuman NatureHuman NatureHuman NatureHuman NatureThe Emotional HooliganThese Things Are Worth Fighting ForWho Pays The Piper?BeefBeef (Adrian Sherwood's Remix of the Remix)


Some Other Artists in the Dub Genre

Sugar BulletTackheadConcrete NationOui 3Majestic 12Movement 98Stock, Aitken & WatermanBeats InternationalBorder CrossingZeke ManyikaF.A.B.MonyakaRed DragonThe ConceptTerranovaLazyboyApollo 440AudiowebPeace OrchestraPlatinum Radics & Governor TiggyGoat DanceGregory IsaacsNew KingdomBad Street BoyCashmereKieser.VeltenLarry PeeInternational Pony & StepchildCarey JohnsonSly & RobbieWalkner.MöstlFaze ActionRaz OharaYosser's GangDJ ShadowBomb The Bass & CarltonThe MaytalsCheshire CatFrantic LanguageOosh

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Some Other Artists on the Perfecto Label

GraceBTDope SmugglazStella BrowneMozaicTimo MaasNiloJazzy MDJ ChromeGiftedJon Of The Pleased WimminGary Clail&On-U Sound SystemPlanet PerfectoD:Fuse & JoyMach 747Lynda LawTiltJan JohnstonH.H.C.Robert OwensMinds Of MenPatient SaintsZee CowlingZeeOakenfoldJada29 PalmsMonoboy & DeloresCalifornia SunshineLouie Vega & Marc AnthonyLiquid State & Marcella WoodsDJ Scot ProjectHarryJelle BoufonJimi PoloKonkreteCarl Cox Concept, TheLiquid StateJuno ReactorVirus

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.